Walt whitman the wound dresser pdf

Retrieve it. Enter here ». Get promoted. By Title. In Poems. For Poets. Rate this poem: 0. What stays with you latest and deepest? I onward go, I stop, With hinged knees and steady hand, to dress wounds; I am firm with each—the pangs are sharp, yet unavoidable; One turns to me his appealing eyes— poor boy! I never knew you, Yet I think I could not refuse this moment to die for you, if that would save you. On, on I go! In mercy come quickly. I dress a wound in the side, deep, deep; But a day or two more—for see, the frame all wasted already, and sinking, And the yellow-blue countenance see.

The use of language in the poem is quite interesting. During the later half of the nineteenth century, the free-verse style and the rhyming verse style were two competing styles of poetry. But the rhyming verse style received more popular recognition.

This meant that Whitman had difficulties to find publishers for his style of writing, although it is full of artistic merit. Eventually, Whitman published his works himself. The first of his compilations came out as Leaves of Grass.

His way with words in this poem is powerful and magnificent. Although we have a strong point of view of how doctors and nurses feel about their profession, Whitman showcases what is and is not noteworthy in the medical profession. The premise is to inspire, inform, and encourage you while reading this paper.

The knowledge of how to wrap was essential in the recuperation process for soldiers in that time. Throughout the entire poem, Walt Whitman displays the imagery of what and how he feels during this treacherous period in America.

The sight of gangrene is not something most people would like to see. The general conscious about people in the medical field is they have strong stomachs.

Throughout the literature Whitman informs the people of how untrue this really is. Whitman notes how he engages each individual differently and yet still gives each patient the time needed to cope, uncertain if they are dead or alive.